Enid Cocke, Manhattan, Kansas

Where did you first learn of contra dancing?

I first learned about contra in 1960, when I attended the Lloyd Shaw Dance Fellowship, and I have been dancing ever since. I started very young, and that totals over 40 years!

As a beginner, what was your first impression of contra?

I thought that it was wonderful fun. I loved the different kind of music from the hoedowns we used in traditional square dancing.

How long have you been calling? Have you written dances?

About 30 years. I have written a couple of dances.

Do you have a favorite dance to call...and why?

I love calling any dance that works well for the dancers. The point of calling is to help people enjoy the music, the dance pattern, and each other. A dance that I enjoy dancing and calling for experienced groups is Don Armstrong's Kittyhawk Reel. It includes a hey for three and contra corners in a clear, enjoyable pattern.

What one thing do you think that most contra dancers can do to improve their dance?

I think they can time their dancing to fill up every beat and flow into the next movement right on the downbeat of the next phrase.

What one piece of advice would you give beginner dancers so they can enjoy the dance more?

Dance to the musical phrase and give weight on swings, allemandes, etc. (OK, that's two, but they're both essential to enjoyable dancing -- for themselves and for their fellow dancers.)

From your perspective of the dance floor on the caller's stand, what movements do you most like to view during a dance?

Long lines, go forward and back. It brings the entire set together, and if the lines are straight, it looks terrific.

If you had one wish related to contra dancing, what would it be?

Current contra dancing is blessed with talented dancers, callers, choreographers, and musicians. I'd love to see even more people involved in the activity.

How would you prefer to be contacted?

By email to: Enid Cocke